The ancient Greeks and Romans left remarkable examples of bottles in the form of miniature amphorae. In the East, vessels for the spirits have been with such a narrow neck that liquid is poured from it only by attrition. 
Bottles of spirits from precious metals, adorned with precious stones, made by jewelers in the Middle Ages and later.
Hearts, horseshoes, small books in gold, pearl, amethyst, enamel, framed inlaid decorated with rubies or garnets, - these are luxurious bottles romantic era. Then came into vogue Bohemian bottles of opal or opaque glass of the most delicate shades, decorated with arabesques and gold filigree, crystal flasks, polished, cut or enamelled with ornaments in the form of flowers and animals.
Today more than ever the perfumes are perfumes, only when they are presented in a bottle, "their own" bottle.
Flat, strict or pretentious, as rounded cobbles, matte or glossy - the complementarity of the bottle and cork, even the carrying case are intended to better combine the content and the content.
Thus, perfume, now - not only savor a shared concept of smell, bottle, name, graphic expression, "lines", often (especially spirits produced by fashion houses), combined with the overall style of clothing.
Bottles of perfume - is a distinct sphere of high art, whose sole task - to translate the language of smells in the visuals, to convey the idea of the first performance of intangible and  "flying" the main character in the form of specific lines, volumes and colors. However, the visuals are not a verbatim repetition of illustrated text, and tells him the new shades of meaning, emphasizes and brings out the hidden associations, and sometimes adds something of their own.
The art design of the bottle has reached such perfection that the envelope, as are the spirits that are created for many years, can survive and dress her mistress, and even furniture on which they stand, and become the subject of collection.
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